Emerging first through collaborations with Douster, and later through solo releases on SoundCloud and compilations for Ashida Park and Teratoma, MOESHA 13 has steadily crafted a sonic language that is fast, volatile, and deeply aware of its context. Her music sits within a lineage of artists who use the club not only as a place of energy, but of resistance — a platform for voices and identities that refuse containment.

Central to this is her connection to Kampala’s Hakuna Kulala label and her appearance at Nyege Nyege Festival — a moment that signalled her alignment with a broader, decentralised network of artists working across post-genre club forms.

Her mixes, like her productions, are expansive and unpredictable — drawing from gadjicore, trap, dembow, and even thrash — collapsing borders not just sonically, but politically.

In her words, she creates “a decolonial and feminist stage” — not a fixed identity, but a mutable space where the hybrid and the marginal take centre. Urgency, rupture, and belonging.